Latest Reviews
In Theatres
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GODLAND
(Check out Jack Schenker's movie review of Godland from director Hlynur Pálmason. It's in select theaters now. Seen it? Join the conversation with HtN on our Letterboxd Page.) As cliché of a phrase as it is, they don’t make ‘em like Godland
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A Conversation with Helen Hood Scheer & Kristy Guevara-Flanagan
The documentary Body Parts is an insightful, hard-hitting exposé of the damage done by the male gaze, whether it be the way it treats women on screen or affects their self-image off screen. It premiered at the 2022 Tribeca Film
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ONLY IN THEATERS
(Raphael Sbarge's Only in Theaters opens Friday, January 20 in New York before making it's way across the U.S. Seen it? Join the conversation with HtN on our Letterboxd Page.) In a theatrical model where only the latest blockbusters find a home, what
Video On Demand
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MOONAGE DAYDREAM
(Moonage Daydream arrives in theaters and IMAX today! Check out Jack Schenker’s review. Seen it? Join the conversation with HtN on our Letterboxd Page.) Director Brett Morgan was not lying when he said Moonage Daydream is more of a cinematic experience than a
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MASKING THRESHOLD
(Check out Ray Lobo's review of Masking Threshold, in select theaters September 30th & Available on Digital October 7th via Drafthouse Films. Seen it? Join the conversation with HtN on our Letterboxd Page.) Masking Threshold is the result of a bizarre alchemy.
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VESPER
(Check out Chris Reed's movie review of Vesper, available now in theaters and on-demand via IFC Films. Seen it? Join the conversation with HtN on our Letterboxd Page.) Indie sci-fi, when done right, is often a creature of great, innovative beauty, and I
Now Streaming
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A Conversation with Nick Sweeney & Stacey Reiss (SANTA CAMP)
In his new documentary, Santa Camp (which I reviewed out of DOC NYC 2022), director Nick Sweeney (AKA Jane Roe) follows the New England Santa Society as they attempt to diversify their membership and plan for the upcoming Christmas season.
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A Conversation With Travis Stevens (A WOUNDED FAWN)
Director/writer/producer Travis Stevens’ gonzo horror-genre bender, A Wounded Fawn, had its World Premiere at Tribeca and made the festival rounds (Fantastic Fest and FrightFest London) earlier this year. His film is a startlingly colorful and splashy genre piece exploring contemporary
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GUILLERMO DEL TORO’S PINOCCHIO
Tuscan writer Carlo Collodi published The Adventures of Pinocchio in 1883, and since then the tale has seen many adaptations on the page and screen, the best-known of which is probably Walt Disney’s, released in 1940. Now, in late 2022, comes the second